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*The following is a
copy of a review that I wrote for my college newspaper days after the release of Endangered Species. I was
limited to how much I could write, and given it is a college paper I
couldn't use the same terminology that one would find reading the
Source or Vibe.
Review of
Endangered Species
The posthumous
album is becoming less of a rarity in Hip-Hop today. Releases after
the passing of such rappers as 2Pac, Notorious B.I.G. and Big L
often prompt questions as to the motives for continuing releases.
However, it seems as though Big Punisher's final release serves as
more of a tribute to the late legend and his fans.
Born Christopher
Carlos Rios, the 28-year-old Bronx-bred Puerto Rican artist had made
a name for himself as a hip-hop phenomenon. Big Pun's break came
when he became the protégé to fellow Bronx native Fat Joe, a
Cuban/Puerto-Rican rapper who began to gain serious notice for Latin
solo mc's in the mid 1990's. Pun, described by Fat Joe as "a
genius", first appeared on Fat Joe's 1995 release, Jealous One's
Envy.
Pun's first
release, Capital Punishment(Loud Records), debuted at No. 5 on the
Billboard's pop chart and No. 1 on its R&B and Rap charts. Pun's
classic, "Still Not a Player" was voted as Vibe Magazines 5th best
single of the year. Big Pun had gone platinum, a feat that no other
Latin solo mc had ever accomplished. Shortly before his sophomore
effort was released, Big Pun passed away due to health problems.
Originally, Pun chose the title "Endangered Species" for this album,
a description of the rarity of mc's with his skill. It is only
fitting that Endangered Species was chosen as the title for Big
Pun's final album.
Endangered
Species combines Pun's classics and notable guest appearances (over
40 in his career) with five previously unreleased tracks. Many of
the new tracks, as well as the original version of "Dream Shatterer",
were previously unheard due to the inability to get samples cleared.
Because the album serves as a tribute to Pun and his fans, there was
less resistance in finally getting sample clearance. Although the
album (executive produced by Fat Joe) was slated to be released in
February one year after Pun's passing, the release date was pushed
back until last week.
Tony Sunshine,
whose singing laced the salsa-tinged 100% on Yeeeah Baby and other
Terror Squad classics, returns on the previously unreleased "Mamma".
Other new guest appearances surprisingly include Kool G Rap and
B-Real of Cypress Hill fame, as well as a freestyle on Hot 97 with
Pun's female protégé Remy Martin. Endangered Species also features
classic Pun collaborations such as "Off The Books"(w/Cuban Link and
the Beatnuts), Banned From T.V. (w/Noreaga) and other collective
hits with Ruff Ryders and his own Terror Squad family.
The album
production is consistent, and its new releases are supported by such
up-and-coming producers as The Alchemist, Buckwild, Irv Gotti and EZ
Elpee. Past releases on the album were forged by a bevy of
established beatminers including Show, Swizz Beatz and the Beatnuts.
The best new cut
is by far the Rashad Smith produced "How We Roll '98", featuring
Latina songstress Veronica and Pun's three children singing the
chorus. Although the lyrics lack the compassion of 2Pac's "Dear
Mama" or Ghostface Killah's "All That I Got Is You", simply hearing
Pun's son and two daughters on the well-produced track is almost
equally tear-provoking.
Endangered
Species would have been flawless save for the inclusion of the "Livin'
La Vida Loca" remix with Ricky Martin and Pun's collaboration with
Fat Joe on the remix of Brandy's "Top of the World". Although Pun
still shines on both tracks, the remixes seem too commercially
artificial and do little to flow with the rest of the album.
Overall,
Endangered Species is an excellent album that showcases the
innovation and lyrical acrobatics that had earlier thrust Big Pun
into the spotlight. Although Big Pun's music was laced with tales of
violence which mirrored his own difficult adolescence, he did open a
door for other aspiring Latin musicians. It should be noted that his
music was a reflection of reality, not intended to inspire younger
listeners. Big Punisher's contributions to the music world will not
soon be forgotten, and an inspiring artist will continue to be missed. |